Tips for Sellers – Auction of Spinning and Weaving Equipment

Posted: April 10, 2024

Keep in mind that there will be roughly 200 lots that need to be sold in 180 minutes. Here are some things you can do to help keep the auction running smoothly and enable your item to command its best price during its brief moment in the spotlight.

  1. Label it. Attach a label, such as a half-sheet of typing paper or a 4 x 6” index card with a brief description to your item. Write or print in large type (18-20 pt)–big enough that buyers and auctioneers can read it without needing eyeglasses. Let buyers know what your item is. For example:
    “36 inch 12 dent stainless steel reed” or
    “Main bed carriage for Brother KH230 Knitting Machine” or
    “Toika ‘Ulla’ Spinning Wheel with accessories”.

    You may also want to include a couple of bullet points on your label to call out one or two important features. For example, if you know the provenance of great-grandma’s spinning wheel, put a “Documented Provenance” bullet point on the label. If your modern spinning wheel was made by Rick Reeves, or your loom was owned by Anni Albers, call that out on the label. This sort of information can stimulate spirited bidding.

    Additional information—such as the detailed provenance of great-grandma’s spinning wheel, a full list of included accessories, instructions, or a website with additional information—can also be attached to the item so that buyers can learn more about it during the auction preview.
  2. Clean it up. Please take a few minutes to wipe off dust and dirt. Cleaning wooden tools with a mild soap like Murphy’s Oil Soap will make them shine.
  3. Bundle them up. Bundling items into one lot makes a more attractive package. Keep the bobbins, matching lazy kate, and other accessories with the spinning wheel; keep the reeds and shuttles with the loom. If you have lots of interesting miscellaneous items, sort them into treasure boxes for different crafts: spinning, weaving, knitting, quilting. There is not a lot of time in the auction, so to be fair to other sellers, buyers, and the viewing public, if you don’t group your smaller items, the auction staff reserves the right to do so.
  4. Set it up. Consider putting a short demo warp on card and inkle looms, or a partially-woven square on a pin looms, and perhaps include some weft or instructions on how to complete the sample project. Help potential buyers see what they can create. In the past, set-up looms or “kits” have commanded substantially higher prices.
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Henry Clemes is co-founder of the “father and son” fiber arts team @Clemes & Clemes, Inc. based in Pinole, California, Henry has been building innovative and elegant fiber arts equipment and sharing his knowledge about fiber preparation for 50 years. We are pleased to have him back teaching three full-day drum carding classes this year. Although Carding for Color: Tints and Shades has sold out, there are still a few seats available for Exploring the Drum Carder and Carding for Color: Fractals. Registration is available at www.lessonface.com/sheepandwool ... See MoreSee Less
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There are still available seats in some classes! Maryland Sheep and Wool Festival is delighted to welcome Peggy Doney from Colorado Springs, Colorado to the roster of new instructors this spring! Life for Peggy was never the same after taking a spinning class with her neighbor years ago. Before she knew it, Peggy was spinning, knitting, dyeing, and creating silk fusion. Eventually, Peggy became a dyer for Treenway Silk, began exploring her own colorways, and developed her own color recipes through experimentation with gradient, triad, and monochromatic studies. She has a special interest in making accurate, reproducible dye recipes that reflect colors found in nature. Peggy loves to share her enthusiasm and knowledge of dying and has been teaching for several years at gatherings, guilds, and festivals including Taos Wool Festival. Two of her classes have already sold out, but there are still limited seats available in Tints, Tones, and Shades, Oh My! In this class, students will learn about the role of adding white, black, and gray to colors, as well as using different additives to achieve consistent depths of shade. But don’t let color theory intimidate you! Peggy will make sure you leave with lots of beautiful samples, and she is bringing lots of dye jokes and her big box of crayons as reference material! You can learn more about Peggy by following her The 100th Sheep and you can register for her class at www.lessonface.com/sheepandwool ... See MoreSee Less
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Teacher Spotlight! There are still limited seats available in some classes! Meet Jill Duarte, one of our amazing instructors at Maryland Sheep and Wool this year. Many of you know her as the co-owner of Hipstrings and a frequent contributor to PLY Magazine, but you might not know Jill also holds a Ph.D. in Molecular Evolutionary Biology! Jill’s background in science and love of fiber arts has informed her business and is reflected in the fiber, yarn, and tools she creates and produces. Jill describes herself as “inordinately fond of short-stapled fibers and fast spinning tools.” Like many of us, she cannot just stop with one fiber pursuit, and she finds herself knitting, spinning, dying, crocheting, weaving, and sometimes felting. As an author and teacher, Jill is dedicated to the resurgence of modern fiber craft that is based on a foundation of technical and historical knowledge. This year Jill is sharing her expertise with several knitting and spinning classes including Fiber Speed Dating, Spinning Short Stapled Fibers , Getting Started on a Supported Spindle, Spinning for Consistency, and Knitting with Handspun Yarn. Although a few of her classes are sold out, a limited number of seats for the remaining classes are still available here: www.lessonface.com/sheepandwool#mdsw #mdsw24 ... See MoreSee Less
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