2019 Catalog Cover Artist

The Festival is pleased to have commissioned world renowned sculptor, Bart Walter, to create the artwork for the 2019 catalog cover.

No one has so masterfully communicated the spirit of the animal in bronze as Bart. For over thirty years, Bart has been sketching and sculpting wildlife in North America and Africa, venturing into the field to study his subjects in their natural environment, working with the animal right in front of him. Furthering a continuity begun by previous animaliers, he has brought a biologist’s eye and his dynamic approach to surface to the work at hand, conveying the movement and spirit of the animal. When you see a drawing or sculpture by Bart Walter, you are seeing an individual animal and experiencing it as he has, with a sense of reverence and wonder.

Bart was born in 1958 in Baltimore, Maryland. He grew up in Baltimore City, spending weekends on Maryland’s Eastern Shore. Always strongly drawn to outdoors and the mysteries of nature, these getaways from city life allowed his fascination with wild animals and wild places to blossom. Many, many hours were spent exploring the wild places he found there. He received a Bachelor of Arts Degree in biology with an emphasis in animal behavior from Hiram College in Ohio. Since then, he has worked as a sculptor, first in wood and for over 30 years, in bronze.

Sculpting and drawing from life are what Bart loves to do the most. He considers it a form of cheating since when an animal moves or turns, he just turns the sculpture and works with what he now has. Bart brings maquettes — field studies — home and casts them as is, or enlarges them, as well as using them to inform new sculptures.

Bart sells his sculptures to private collectors and public institutions around the world. Locally, you can see his chimpanzees at the National Zoo; ostriches, lions, gorillas, cheetahs, otters, a polar bear, and more at the Maryland Zoo in Baltimore; and a lion in front of the public library in Westminster, Maryland.

For 30 years, Bart has lived and worked on a 20-acre wildlife sanctuary outside Westminster with his wife, two dogs and a Bengal cat.


Downloadable PDF

Download a pdf of the 2019 catalog here.

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2024 Festival Gear Now Available

A selection of 2024 Festival Merchandise is now available. We have short-sleeved t-shirts, long-sleeved hooded t-shirts, three styles of bags, and two sizes of posters. Click "Read More" for details on how you can get yours!

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Henry Clemes is co-founder of the “father and son” fiber arts team @Clemes & Clemes, Inc. based in Pinole, California, Henry has been building innovative and elegant fiber arts equipment and sharing his knowledge about fiber preparation for 50 years. We are pleased to have him back teaching three full-day drum carding classes this year. Although Carding for Color: Tints and Shades has sold out, there are still a few seats available for Exploring the Drum Carder and Carding for Color: Fractals. Registration is available at www.lessonface.com/sheepandwool ... See MoreSee Less
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There are still available seats in some classes! Maryland Sheep and Wool Festival is delighted to welcome Peggy Doney from Colorado Springs, Colorado to the roster of new instructors this spring! Life for Peggy was never the same after taking a spinning class with her neighbor years ago. Before she knew it, Peggy was spinning, knitting, dyeing, and creating silk fusion. Eventually, Peggy became a dyer for Treenway Silk, began exploring her own colorways, and developed her own color recipes through experimentation with gradient, triad, and monochromatic studies. She has a special interest in making accurate, reproducible dye recipes that reflect colors found in nature. Peggy loves to share her enthusiasm and knowledge of dying and has been teaching for several years at gatherings, guilds, and festivals including Taos Wool Festival. Two of her classes have already sold out, but there are still limited seats available in Tints, Tones, and Shades, Oh My! In this class, students will learn about the role of adding white, black, and gray to colors, as well as using different additives to achieve consistent depths of shade. But don’t let color theory intimidate you! Peggy will make sure you leave with lots of beautiful samples, and she is bringing lots of dye jokes and her big box of crayons as reference material! You can learn more about Peggy by following her The 100th Sheep and you can register for her class at www.lessonface.com/sheepandwool ... See MoreSee Less
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Teacher Spotlight! There are still limited seats available in some classes! Meet Jill Duarte, one of our amazing instructors at Maryland Sheep and Wool this year. Many of you know her as the co-owner of Hipstrings and a frequent contributor to PLY Magazine, but you might not know Jill also holds a Ph.D. in Molecular Evolutionary Biology! Jill’s background in science and love of fiber arts has informed her business and is reflected in the fiber, yarn, and tools she creates and produces. Jill describes herself as “inordinately fond of short-stapled fibers and fast spinning tools.” Like many of us, she cannot just stop with one fiber pursuit, and she finds herself knitting, spinning, dying, crocheting, weaving, and sometimes felting. As an author and teacher, Jill is dedicated to the resurgence of modern fiber craft that is based on a foundation of technical and historical knowledge. This year Jill is sharing her expertise with several knitting and spinning classes including Fiber Speed Dating, Spinning Short Stapled Fibers , Getting Started on a Supported Spindle, Spinning for Consistency, and Knitting with Handspun Yarn. Although a few of her classes are sold out, a limited number of seats for the remaining classes are still available here: www.lessonface.com/sheepandwool#mdsw #mdsw24 ... See MoreSee Less
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